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Limited edition

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watson_slipcase_oct20131Peggy Bawn Press have created a leather-bound limited edition ultimate luxury version of the well received G.L. Watson – The Art and Science of Yacht Design.

This handcrafted custom edition comes bound in luxurious white Nappa leather and arrives encased in a silver foiled slip case. The title is elegantly debossed into the book’s front leather cover and spine.

The final result is a wonderful and unique collector’s piece – an expertly crafted yachting book like no other.

This Special Edition is limited to 40 copies worldwide at a price of Euro 300 each.

Contact Us for more information.

IM



Classic Boat

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cover22“G.L. Watson, Britain’s Greatest Yacht Designer”

That’s the no holds barred title of a new article by Martin Black in November’s Classic Boat magazine – out now.

It’s beautifully illustrated with images from his book G.L. Watson – The Art and Science of Yacht Design, published by Peggy Bawn Press. Martin’s article begins:

“In the autumn of 1895, Scottish yacht designer George Lennox Watson excused himself from taking part in the final race of the 9th America’s Cup series aboard Valkyrie III, which he’d designed for Lord Dunraven, and closed the deal for the design and build supervision of four palatial steam yachts – the mega yachts of their day – to be built on the Clyde for American millionaires.

Question is, how had Watson got himself into this enviable position: the consummate yacht designer of his day and perhaps all time…?”

Buy Classic Boat here.

And buy the book here.

IM


Seawards The Great Ships

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Maritime and offshore news website gCaptain recently got pretty excited about some remarkable ship launching footage from Croatia.

We are reminded of the much older but no less remarkable late 1950s River Clyde ship launching sequences from Seawards the Great Ships, Hilary Harris and John Grierson’s oscar-winning documentary  which can be viewed full length at the Scottish Screen Archive’s Pandora’s Box of a web site here (Adobe Flash required).

Filmed at now long lost Clyde shipbuiders with famous names like Blythswood of Scotstoun, John Brown of Clydebank, Fairfield of Govan, Lithgows of Port Glasgow and Scotts of Greenock – some of them well known to Glasgow yacht designer G.L. WatsonSeawards the Great Ships was described by Scottish Screen Archive founding curator Janet McBain as, “this glorious swansong of shipbuilding on the Clyde”.

Nevertheless, major shipbuilding activity is continued in the 21st Century at the Govan and Scotstoun sites by BAE Systems Maritime.

[Updates 2 & 6 November 2013: Did we speak too soon about Govan? Does removal of cranes not used since 2008 signal the beginning of the end for shipbuiding at Govan?]

[Update 14 November 2013: When we originally published this post - only in the interests of spreading the word about the wonderful film, Seawards the Great Ships, little did we know what was just around the corner for the Govan and Scotstoun shipbuilding yards. We'll let Ian Jack bring you up to date along with his Guardian colleagues. Ian is a London-based Scottish journalist with a fierce passion for the Clyde.]

peggy-bawn-press

Glasgow based yacht designer to the world, G.L. Watson, witnessed hundreds of his designs being launched at Clyde shipyards during his all too short career from 1873 to 1904. Martin Black’s profusely illustrated biography, G.L. Watson – The Art and Science of Yacht Design details them all. Buy online here.

IM


Nappa leather

Future archive

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The Ballast Trust to the rescue.
University of Glasgow / Ballast Trust

Meticulously researched and referenced books, like Martin Black’s G.L. Watson – The Art and Science of Yacht Design, depend on the availability of accessible archived records. This in turn depends on a culture of creating and preserving them for posterity. Up to a quarter of a century ago that required only the will to do it – and space. But what now in this digital age? How will the researchers of the near and distant future fare in a world where even the web site could be old hat, and everything is “archived” in the ether?

According to Jim Champ of the International [Sailing] Canoe Class, the problem is already upon us.

Writing as Guest Commentator in today’s 3966th edition of Sailing Scuttlebutt’s essential daily breakfast-munching email newsletter (archived here back to #194 of October 5, 1998 – where are issues 1-193?), Jim says:

‘ As you stated in Scuttlebutt 3965, “The internet has dramatically improved how event information can be shared. However, what needs to improve further is how this information is preserved.”

‘Amen to that in spades…

‘The trouble with digital information is that when it’s gone it’s gone. If it’s not on the Wayback Machine (http://archive.org/web) it will be gone forever, and you won’t get it back because there won’t be any old bits of paper in dusty corners.

‘I’ve recently been putting together the competition history of the International Canoe class (http://www.intcanoe.org) on the web (and we have a lot of it, with our oldest International trophy dating back to the 1880s) and people have been digging out old magazines from their lofts and so on to help me get some of the results published and its quite a task…

‘Former Canoe Sailors – or their children, grand-children, great-grandchildren or whatever – who can help fill in some of the gaps for past NYCCC Trophy, European or Worlds events in the following pages are positively begged to contact me via the link on the website pages:

http://www.intcanoe.org/ichistory-nyccchamps.php http://www.intcanoe.org/ichistory-europachamps.php http://www.intcanoe.org/ichistory-worldchamps.php

We trust that Jim and the editors at Sailing Scuttlebutt will excuse us for reproducing this extract whole, in the interests of spreading the word. All power to his research.

PBP_daisyAppendix D of Martin Black’s masterwork, G.L. Watson – The Art and Science of Yacht Design, is an examination, by championship divisions, of yacht racing records during G.L. Watson’s working life. Needless to say they make good reading about our hero! This beautiful book – the perfect gift – can be purchased online here.

PBP_daisy

pushAnd finally, a little personal oar-in. If designers of sailing event web sites could place a big, red “push for results” button – similar to this one used by Sailing Scuttlebutt – right at the start, we might be less grumpy sometimes. It’s hard enough nowadays to understand the scoring system used in Olympic style events, but rather more difficult if one can’t find the results in the first place.

IM


Inconspicuous consumption

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paintings yachts 2“[Art is] a lot more sophisticated than a yacht” – The Art Market’s editor, Melanie Gervis.

Fascinating article by Jon Henley in today’s Guardian.

Art for art’s sake, or art as a commodity?

Is anything more sophisticated than a yacht?

IM


Canada’s oldest sailboat

Art and craft

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Twenty fabulous stained glass panels celebrating the trades that fuelled Glasgow as the 19th Century powerhouse of empire – among them the skills that gave form to G.L. Watson’s yacht designs – were recently reinstated at their original home, Maryhill Burgh Hall, during an inspired refurbishment.

OG.1963.52.5

The Boatbuilder, stained glass panel by Adam & Small, Glasgow c.1878
© CSG CIC Glasgow Museums Collection

Made by one of Britain’s masters of the craft, Glasgow based Stephen Adam (1848-1910), and his business partner, David Small, the panels had lain for almost fifty years in Glasgow Museums’ storage facilities after 1960s removal from the “French hotel” styled building.

Their realism is apparently unusual in comparison with other non-religious Adam & Small works, for example at the superb Clyde Navigation Trust building on The Broomielaw, and at Glasgow City Chambers. But perhaps that’s entirely appropriate for Maryhill, a Glasgow Burgh that grew solely on the back of the Industrial Revolution, with the Forth & Clyde Canal at its lifeblood.

Here’s a great description of the Maryhill shipwrights of old by local Victorian historian Alexander Thomson:

“In old times, when the vessels were constructed of wood, a large number of carpenters were employed here, some of them swanky young fellows, and others regular blow-hard looking old chips. It was astonishing what neat, well-finished work some old boys could produce with nothing finer in the shape of tools than an adze and a jack-plane.

“They had occasional balls and merry-makings, besides other social gatherings, which were always conducted in an orderly and creditable manner. Plain and blunt of speech many of these old tarry-breeks were, and their better halfs equally so.”

Boatbuilders haven’t changed much down the centuries then…

For many panels, an educated guess can be made as to which local firm is being suggested. But in The Boatbuilder (or perhaps more correctly ‘The Shipwright’) panel above, the business dynasty depicted can only be that of the Swan family of ship and boatbuilders (and sawmillers, and spelters) who built and repaired small ships and boats at Kelvin Dock.

When the confines of that site outgrew their ambitions, Swans may have become one of the first shipyards to prefabricate their builds in watertight sections which were floated west for assembly and completion at Bowling, where the canal meets the River Clyde. Eventually that site also proved too small, prompting a final move to the Woodyard shipyard at Dumbarton not long after the launch there of the Cutty Sark.

And this is how we found out about the renaissance of these superb panels. In Lloyd’s Register of Yachts 1886, the small yacht Zulu is recorded as built by J. & R. Swan of Dumbarton in 1872 as Whaup to the design of one G.L. Watson. Whaup/ Zulu, was no stranger to yacht registers, having been recorded from birth by Hunt’s Yacht List and later Lloyd’s. But her designer’s name had not carried through – in fact designer names were never listed in Hunt’s and only in Lloyds from the mid 1880s.

Could this be one of G.L. Watson’s earliest designs that for some reason went unrecorded?

For more information on Scottish stained glass, its influences and strong wider influence, go no further than Michael Donnelly’s stained glass central.

Use the thumbnails below to let the excellent Maryhill Burgh Hall web site and Gordon Barr guide you through some of these other panels relevant to the trades that built G.L. Watson’s yachts.

[Many thanks to CSG CIC Glasgow Museums Collection, aka Glasgow Life.]

IM

OG.1963.52.8OG.1963.52.15OG.1963.52.16

OG.1963.52.20

OG.1963.52.14OG.1963.52.2



Inclining test

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The launch of a new – very pretty – sail training vessel last week at Damen Shipyards Galaţi, Romania. We guess she passed the inclining test…

 

And some different viewpoints, here and here.

The client is believed to be the Royal Navy of Oman.

With thanks for heads-up to John O’Regan, owner of the G.L. Watson & Co. designed ex RNLI Arun Class prototype lifeboat Samuel J, and maritime Twitter-central in Ireland.

[Update 26 November 2013: after a little hiccup yesterday when the original videos were pulled; hopefully these remain.]

IM


Coastal Rowing 3

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What the sea oar sees – a different take on coastal rowing from  St. Michael’s Rowing Club, Dún Laoghaire.

peggy-bawn-pressWhich reminds us… we hugely enjoyed a 2013 summer’s day at the seaside watching the coastal rowing at Wicklow Regatta; scampi, haddock tails, ice cream et al.

Coastal Rowing Wicklow 1 20130805_150152

Showing colours.
(Iain McAllister)

Coastal Rowing Wicklow Regatta 2 20130805_151435

Tethered start.
(Iain McAllister)

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St. Manntan, built by M. & L. Hunkin, Fowey, Cornwall.
(Iain McAllister)

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Wicklow Rowing Club’s St. Manntan. Proper job.
(Iain McAllister)

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Wicklow Harbour alive with boats on Regatta day.
(Iain McAllister)

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The swell suggests it’s rougher outside.
(Iain McAllister)

Thanks to John O’Regan.

If you’re wondering what happened to Coastal Rowing 2this is rightly it.

peggy-bawn-pressBuy Martin Black’s G.L. Watson – The Art and Science of Yacht Design here. G.L. Watson is strongly associated with rowing tradition, both with his designs for ship’s boats, and with his pulling and sailing lifeboats for the RNLI.

IM


Scottish Boating

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EwansBlog

Our friend and blogger, Ewan Kennedy, shares his passion for all things Clyde and West of Scotland nautical – especially the wonderful cult of small boat building, sailing and rowing there, and the people involved in that, past and present – in his entertaining, educational… in fact, indispensable blog, Scottish Boating.

Join him in celebrating three years at it.

Ewan has even said some very nice things about our G.L. Watson book.

Slàinte Ewan!

IM


How to read our books

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How to read our books (the Norwegian system):

IM


How to buy our books

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G.L. Watson spotted at The Tree Shop, Loch Fyne.
(Argyll and the Isles App)

Peggy Bawn Press was created by Irish yachting historian, Hal Sisk, to publish Martin Black’s remarkable biography of Scottish yacht designer, G.L. Watson. We are particularly geared up to sell online from our Limerick warehouse via the secure payment page at www.peggybawnpress.com.

But that doesn’t suit everyone. Our books are also available from a growing number of specialist book stores worldwide. Here are other ways and places to buy our books:

ONLINE

Europe

Amazon
McLaren Books

North America

Amazon
The WoodenBoat Store

IN PERSON

At the following book shops/ dealers:

Australia

SydneyBoat Books Australia, 31 Albany Street, Crows Nest NSW 2065

England

Cowes  – Classic Boat Museum Gallery, Columbine Road, East Cowes PO32 6EZ

CowesK1Britannia, 16a High Street, Cowes PO31 7RZ

London (Chelsea) – John Sandoe Books, 10 Blacklands Terrace, SW3 2SR

Ireland

Dún LaoghaireViking Marine Chandlery, Marine Road

MalahideUnion Chandlery at Malahide Marina

Wicklow/GlandoreO’Donoghue Maritime Books

Scotland

Cairndow  (head of Loch Fyne) – The Tree Shop (beside Loch Fyne Oyster Bar)

Greenock  – McLean Museum and Art Gallery, 15 Kelly St, Greenock PA16 8JX

HelensburghMcLaren Books, 22 John Street, Helensburgh G84 8BA

LargsC & C Marine Services, Largs Yacht Haven KA30 8EZ

Spain

MadridLibrería Náutica Robinson,  C/Santo Tomé 6, 28004 Madrid

U.S.A.

Boston – Howland & Company, 100 Rockwood St., Jamaica Plain, MA 02130-2450
Tel: 617-522-5281

IM


In the boatshed

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Martin Black’s G.L. Watson – The Art and Science of Yacht Design features today at Gavin Atkin’s excellent in the boatshed blog, which has rapidly become essential daily reading, and  U.K. trad-boat central.

Order by 10:00 (GMT) Monday 16th December for European Christmas delivery!

In the boatshed2IM


Art and cheeriness

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George Wylie Paper Boat 6art

Paper Boat, 80ft loa, profile, plan and body section by George Wyllie, 1988.
© George Wyllie Foundation Archive

My first close encounter with the work of scul?tor (that’s not a typo), George Wyllie (1921-2012), was at Glasgow’s Gallery of Modern Art in the early 1990s.

Navigating to the source of some hearty giggling in a building I’d once had to keep deadly silent in (the former Stirling’s Library) led to his All-British Slap and Tickle Machine, a wonderful contraption installation replete with bicycle seat and operating pedals, a floppy leather slapping hand and a mannequin’s tickling finger. George Wyllie’s trademark question mark might have come in handy for one or two of the exhibits within that beautiful building, but definitely not for this mirth-inspiring item.

Let the man himself talk us through his ideas, because he obviously loved to – especially the questions raised by the design of his 80ft (24.4m) long paper boat, launched on the River Clyde at Glasgow in 1989 and then much travelled:

It must have been pleasing to her designer that she sat so perfectly on her lines straight out the box – especially at such a public launch.

Did you see the Denny Test Tank, Dumbarton, where yacht designer, G.L. Watson, broke new ground in running truly scientific model trials for Sir Thomas Lipton’s 1901 America’s Cup challenger, Shamrock II, and James Gordon Bennett’s remarkable steam yacht, Lysistrata?

The white ship in the background as QM sails on the Clyde was one of the last to be launched by Denny of Dumbarton, in 1961: the turbine packet, Caledonian Princess… And the Port Glasgow timber ponds, where shipbuilding lumber was pickled before use.

The name of George Wyllie’s paper boat, QM, of course raises more questions than one!

peggy-bawn-pressThe exhibition George Wyllie: Scul?tor and Navigator opened recently at Greenock’s 6Art gallery (6a George Square, Greenock PA15 1QP, open Mon-Fri, 9am-6pm) with a nice introduction:

“George Wyllie was a remarkable artist who reached out beyond the confines of the art gallery and connected with people all over the world through his thought-provoking art…

“This exhibition gives an insight into the ideas and creations of a man whose lightness of touch and workmanlike approach to his art always gave way to a more serious message.”

PBP_daisyDuring the 18th and 19th centuries, Greenock was one of Scotland’s most valuable wealth creating locations, and not just from shipbuilding. The sheltered west coast port was perfectly situated for transatlantic trade, especially the import and refining of sugar which ended in 1997 with the closure of the Tate & Lyle refinery.

A movement of locally connected artists – the Absent Voices project – is now gaining significant attention for the long-term aim of converting the grade-A listed sugar warehouses at Greenock’s James Watt Dock into an amazing public space for the arts; perhaps even the idea of a “Tate Scotland”. Sugar refiner Henry Tate gave his name to the famous galleries. His refining business merged with Greenock born Abram Lyle’s in 1921 to form the biggest name in British sugar and sugar products. Tate Liverpool has already proven how well it can work with similarly striking dockside warehouse buildings.

PBP_daisyMartin Black’s biography, G.L. Watson – The Art and Science of Yacht Design, is one of  the most lavish book productions ever to address the astonishing story of the marriage of art and science that was, and still is, Clydebuilt.

[Special thanks to the George Wyllie Foundation Archive, Lynne Mackenzie, Jan Patience and Dominic Quigley. The words of our title are regularly used as hashtags in her tweets by Absent Voices artist, Anne McKay (@McKayArtist).]

IM



Vulcan lifeboats

Ireland to starboard, or port?

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The Dromineer Literary Festival recently described Irish maritime journalist, author and historian, W.M. “Winkie” Nixon as:

“…a sailing journalist who writes like a poet and whose love for his subject is apparent in his writing.”

Winkie’s blog at Afloat.ie is essential Saturday breakfast reading. Recently he treated us to this fascinating examination into the first recorded circumnavigation of Ireland by a yacht. And, Winkie being Winkie, he strays beautifully off topic now and again.

The biggest question though continues to offer great argument: does one leave Ireland to starboard, or to port?

Which begs the further question… would it stir up renewed public interest in the biannual Round Ireland Yacht Race to offer competitors the choice?

WMN RI Afloat 040114

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Many of Glasgow, Scotland yacht designer G.L. Watson’s earliest clients for state of the art and ground-breaking racing yacht designs were from Ireland, reflecting the strength of  aquatic and often genealogical links across the Sea of Moyle/ North Channel. Martin Black’s biography, G.L. Watson – The Art and Science of Yacht Design, recalls some fiercely competitive “cross-channel” matches – especially in the c.30ft (9.14m) long 5-Tonners of the 1870s – between Irish and Scottish owners, with the Irish often the ones to take a risk on the young, relatively unknown Watson against Scottish-owned William Fife (Senior and Junior) designs.

IM


Pride of Portree

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Wednesday night practise in the Row St Kilda to Skye training boat. (Row St Kilda to Skye)

Wednesday night grunt in the Row St Kilda to Skye training boat.
(Row St Kilda to Skye)

They said it themselves: one of the most hair-brained projects Skye has seen for some time.” We would add: beautifully hair-brained.

This summer, an intrepid team from the Isle of Skye will raise funds for the RNLI and Young Carers by “attempting” to row from the far flung, almost mythical Hebridean island of St Kilda – to Portree, the principal town and port of Skye; a distance of approximately 100 miles across nothing less than the open North Atlantic.

Ocean rowing feats are almost run of the mill these days, piloted by supremely athletic, mentally sorted (or not, depending upon one’s point of view) folk in highly evolved rowing craft that resemble second world war midget submarines.

But this one is different; at least the boat is.

This voyage will be undertaken using an 18ft (5.5m) inshore coastal racing skiff built in the 1890s for the Skye Highland Games, last used 101 years ago – in 1913, to catch up with a steamer – and tucked away thereafter in the loft of a boathouse. Time is obviously but a drop in the ocean to folk whose Quidditch team has been going strong since 1292…

At the excellent Row St Kilda to Skye website, the skiff’s owner’s – or perhaps we should say, caretaker’s – reaction to this plan is reported as suitably droll:

‘A short silence then [his] wry reply: “That’s a long way.”’

The skiff about to see the lght of day for the first time in 100 years. ()

The skiff about to see the light of day for the first time in 100 years.
(Row St Kilda to Skye)

But this is no ordinary rowing skiff. She is a remarkable surviving example of the boatbuilding artistry of Thomas Cublick Orr Jr (1851-1934), Yacht, Launch and Boatbuilder, of Greenock on the Firth of Clyde – perhaps the finest Clyde boatbuilder that most folk have never heard of, and one of yacht designer G.L. Watson’s favourites.

By all rights, Orr should be long forgotten. His business, inherited from his father, Thomas Cublick Orr Sr (1816-1904), flourished briefly from c.1880 amid the burgeoning late Victorian demand for leisure craft on the Clyde, until it failed financially in 1899. Soon after, Orr moved to the Northumberland shipbuilding and coal exporting port of Blyth, probably to manage a local ship’s boats building business. Certainly he was a boatbuilder at Blyth for the rest of his working life.

Blyth South Harbour Ships Boats

A trainload of rather fine looking ship’s boats ready for delivery from Blyth South Harbour.
(Philip Hodgetts)

Yet, in 1980, when I began enquiring about the rich history of yacht building on the Firth of Clyde, Orr’s reputation there, as one of the best, still lingered in the memory of older retired boatbuilders and professional yacht crewmen I’d had the pleasure of meeting. Some, in their 90s, could remember back to the last few years of the 19th Century.

I learned from more than one contact that T.C. Orr Jr had initiated the beautiful “round-stern” punt, or yacht’s tender, that became indigenous on the west coast of Scotland from the 1880s through 1930s; developed from the local Loch Fyne Skiff style fishing sloops.

Exquisite round stern punts on display at The Fife  Regatta 2013. (The Fife Regatta)

Exquisite round stern punts at The Fife Regatta 2013.
(The Fife Regatta)

These fine punts, together with the light and fast competition rowing skiffs – and exquisite ship’s boats for the huge sailing and steam yachts being built on the Clyde to the designs of G.L. Watson and his contemporaries – that Orr was known for, went unrecorded, as far as we know. But his body of larger work – steam launches and sailing yachts up to c.65ft (19.8m) long – left its mark, recorded in Hunt’s and Lloyd’s yacht registers, museums and even on film*.

One of his sailing yachts, from 1887, survives. Orr stoutly built the characterful gaff ketch, Nell, to the plans of our hero, G.L. Watson (design no.137), commissioned by the artist R.C. Robertson of Windermere for West Coast of Scotland cruising. She was probably the first yacht built on Loch Fyne Skiff lines; the first of many.

The gaff ketch Nell, designed by G.L. watson and built by Thomas Orr Jr, 1887,full and  by

The gaff ketch Nell, designed by G.L. Watson; built by Thomas Orr Jr, 1887.
(Guy Ribadeau Dumas)

It was during an 1894 cruise aboard Nell with Robertson that the not yet famous Scottish colourist Samuel Peploe was first introduced to the artists’ theme park that is the Hebrides – and his future wife Margaret, from Lochboisdale, South Uist, who just happened to be working in Castlebay, Barra when Nell anchored there**.

Nell spent many years of dotage based at London’s St Katherine’s Dock. She is included in the UK National Register of historic Vessels, and is now undergoing restoration at Honfleur in northern France under the supervision of naval architect Guy Ribadeau Dumas.

Nell int

Nell’s 1887 interior is superbly original.
(Guy Ribadeau Dumas)

Nell, a yacht that exudes character that can hopefully be retained thgrough restoration. (Guy Ribadeau Dumas)

Nell, a yacht that exudes character that can hopefully be retained in restoration.
(Guy Ribadeau Dumas)

Greenock’s McLean Museum and Art Gallery’s wonderfully eclectic collection includes this superb 156cm long working model of a steam launch (below) made by T.C. Orr Jr, for which he was awarded a gold medal at the Edinburgh International Exhibition of either 1886 or 1890.

Working steam launch model by T.C. Orr Jr. (McLean Museum and Art Gallery, Inverclyde Council)

Gold medal winning working steam launch model by T.C. Orr Jr.
(McLean Museum and Art Gallery, Inverclyde Council)

Mimine (2½-Rater) launching, 1894. Could the man on the  foredeck be Orr himself? Note the iron sledge in use  as a spreader bar to prevent the lifting slings from  squeezing her topsides and rail - what was its day job? (McLean Museum and Art Gallery, Inverclyde Council)

Mimine (2½-Rater) launching, 1894. Could the man on the foredeck be Orr himself? Note the iron sledge in use as a ‘spreader bar’ to prevent the lifting slings from squeezing her topsides, and the well protected pine deck.
(McLean Museum and Art Gallery, Inverclyde Council)

Another fascinating relic at the McLean Museum is the above image of the 1894 launching at Victoria Dock, Greenock – not far from his East Blackhall Street boatbuilding shop – of the radical for the time, fin keeled, beamy, bermudan rigged sloop, Mimine, designed by William Fife Jr (design no.319) and built by Orr for Greenock sugar refiner Duncan F.D. Neill. Neill would later become Sir Thomas Lipton’s America’s Cup yachting advisor. Mimine was probably the first bermudan “shoulder of mutton” rigged yacht to be designed and built on the Clyde – maybe even Europe.

Perhaps this was Orr’s downfall: taking on tricky jobs requiring new ways of thinking while pricing too cheaply. Only conjecture, but he was in the midst of building an even more complicated G.L. Watson design when his business crumbled.

While Orr’s smaller builds would have taken shape at his East Blackhall Street shops, it seems feasible that the c.65ft (19.8m) feet shallow draft centreboard cutter, Marguerite (G.L. Watson design no.381 – he’d been busy since no.137, Nell) may have been built at his slipway further to the east at James Watt Dock: The Clyde Patent Yacht Slip Company. According to Orr’s sequestration papers of 1898-1899, he was a partner in this business with Robert Steel Gilmour (Engineer) and James Gush (Submarine Diver), and it seems to have got into difficulty first. Perhaps this failure resulted in his subsequent sequestration and the loss of a boatbuilding business that should have been viable.

We last wrote about Nell, her builder and Loch Fyne Skiffs briefly here, which caught the attention of Thomas Orr Jr’s great great-granddaughter, Glenys Shearer, in Australia. We noted for future checking out that Glenys had mentioned an Orr-built racing skiff perfectly preserved at the Clan Donald Centre at Armadale, Skye.

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18ft Thomas Orr Jr skiff at the Clan Donald Centre, Armadale, Skye. Built for the MacDonald family of Redcliff, Portree c.1897. The Row St Kilda to Skye skiff was built for their relatives at Viewfield, Portree.
(Row St Kilda to Skye)

More recently, we stumbled upon the wonderful Row St Kilda to Skye project and their very similar skiff, built for a branch of the same family that commissioned the “Armadale boat”. The time seemed right to tell Thomas Orr Jr’s story, and celebrate that fact that 115 years after his business stopped, and 80 years after died, his spirit lingers nicely.

Broadford, Skye-based boatbuilder, Iain MacLean, is undertaking the structural restoration necessary to make this beautiful and, as yet, nameless skiff ocean worthy. Inevitably Iain must replace most of the structural members, but is saving almost all of her larch planking. We sometimes call it “accelerated maintenance”. Her re-launch is planned for April.

Over the Sea

“Over the sea…”
(Row St Kilda to Sky)

Keeping her sweet through the warm summer of 2013. (Row St Kilda to Skye)

Keeping her sweet through the warm summer of 2013.
(Row St Kilda to Skye)

New timbers. (Row St Kilda to Skye)

New timbers.
(Row St Kilda to Skye)

Keep track of progress at the Row St Kilda to Skye website, at their Facebook page and via Twitter.

English Rose II last appeared in Lloyd’s Register of Yachts in 1970, based in Malta. Could she still exist?

PBP_daisy* Thomas Orr’s last yacht build at Greenock in 1898, the G.L. Watson designed shallow draft centreboard cutter, Marguerite, was a very interesting and unusual design, especially for a man who professed a dislike of centreboards. She gained her stability from slack bilges and wide beam, as would many later American centreboard cruiser-racer designs in 1950s and 1960s heyday of the CCA Rule, such as Olin Stephens’ Finisterre, and the much sought after Hinckley Bermuda 40 production yawl.

Marguerite was commissioned by Northumberland shipowner (later Sir) James Knott of the Prince Line; her centreboard may have been to allow access and taking the bottom (she was originally fitted with stubby, very long external bilge stringers) at some of the English north east coast’s few sheltered – but very shallow or drying – anchorages.

In 1916, on the loss of two of his sons in the first world war he sold The Prince Line for £3m and devoted the rest of his life to philanthropy. Whilst we have no proof, it is worth surmising that Knott’s philanthropic nature may have existed 17 years earlier, facilitating his yacht’s failed builder’s face-saving move from Greenock to the north east of England.

What there is no doubt about is that Marguerite enjoyed a long life – some of it in the limelight after the second world war.

Under the ownership of Commander Claud L[ombard] A[ubry] Woollard, Royal Navy Retired, she operated out of Poole in Dorset, as English Rose II, a sail training ship for female sailors (presumably WRNS cadets).

English Rose II, start of the 1956 Tall Ships Race. (Pathe)

English Rose II, 1956 Tall Ships Race.
(British Pathe)

The proof is here in these quaint old newsreels. The first (at 8-10 seconds – blink and you miss her!) shows English Rose II attending the start of the first ever “Tall Ships Race”, from Torbay to Lisbon in 1956. Despite the commentary, she didn’t take part in the race; perhaps just as well, as her dramatically cut down rig (probably because her centreboard had been removed) wouldn’t have offered great performance. At the stills link one can study her at more relaxed pace. The second, silent clip shows her on the River Seine at Paris.

She’d become very cluttered on deck, but there is no mistaking her G.L. Watson lines.

English Rose II last appeared in Lloyd’s Register of Yachts in 1970, based in Malta. Could she still exist?

PBP_daisy** More information on Samuel Peploe and some of the paintings resulting from his Hebridean cruises aboard Nell here (pdf file download).

PBP_daisyThomas Orr Jr was one of a select group of Firth of Clyde boatbuilders favourited by Glasgow-based yacht designer to the world, G.L. Watson (1851-1904), to build his small to medium sized sailing and powered yacht designs, and ship’s boats for Watson’s magnificent large sailing and steam yacht designs more often than not built at neighbouring shipyards. Read the whole beautifully illustrated story in Martin Black’s biography, G.L. Watson – The Art and Science of Yacht Design here.

IM

[Special thanks to Philip Hodgetts (Blyth), Donnie Nicolson (Portree) & Glenys Shearer.]

[Our title is the name of Portree's famous Quidditch team, established in 1292.]


A new Watson for the weekend – No. 274

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Is this the first yacht built to a design by Glasgow-based naval architect to the world, G.L. Watson, since his untimely death in 1904 at the age of 53?*

A brief glimpse of daylight for the new Hubert Stagnol built Watson - minus lead keel. (Yachting Classique)

A brief glimpse of daylight for the new Hubert Stagnol built Watson – minus lead keel.
(Yachting Classique)

In the past week, during a yard movement in Brittany, we were treated to a brief glimpse  of Hubert Stagnol’s latest reincarnation – a “Super Seabird” – this time a G.L. Watson design rather than by William Fife Jr. Sensible man.

Sensible, not because he chose Watson over Fife (what a choice to have to make), but because this design represents the huge advancements in experience and knowledge of hull form that had taken place in just four years since the design date of Hubert’s earlier replica builds, the cute Seabirds and the spectacular Fyne, both drawn by William Fife Jr  in 1889.

No. 274a, we shall call her for now, benefits from the fact that her design dates from the creation of “The Britannia Ideal“, a point of moderation in all aspects reached by Watson in 1893 that has never really been bettered since – only tweaked – in the design of moderate displacement, seakindly hulls.

Gipsy and Brunette. (Yachting World)

Gipsy and Brunette, 1893.
(Yachting World)

This replica, constructed in wood epoxy, is based on G.L. Watson & Co. design nos. 274 and 275, the fiddle bowed, gaff cutter identical twins, Gipsy and Brunette, originally built in 1893 by James Adam & Son, Gourock, for Paisley threadmaker extraordinaire, James Coats Jr.

They were specifically intended for match racing among friends, including Watson himself (distantly related to Coats), and must have been considered successful enough to be followed off the drawing boards the next season by their very similar, but slightly longer cousin, Peggy Bawn (design no. 317), built for Belfast cotton merchant, Alfred Lepper, by the prolific Carrickfergus boatbuilder, John Hilditch.

Knowing what a dream Peggy Bawn is to sail, we can have confidence that this as yet unnamed cutter will give her Singapore-based owner endless pleasure, and turn heads along the way.

Let’s hope for sisters.

peggy-bawn-press

Construction images, and a glimpse of another Watson replica, Red, in build more traditionally (more on her soon), can be seen at the G.L. Watson & Co. Ltd website here.

(Note, when following the link to Gipsy and Brunette there, that although these boats were 23ft on the waterline, they were not built to the Clyde 23ft lwl class, and, according to Lloyds Register of Yachts, they were c.33ft on deck, not 26ft.)

What became of the originals?.

peggy-bawn-press

Brunette between the wars, possibly in the Ktles of Bute. (Dan McDonald / Ballast Trust)

Brunette between the wars; possibly in the Kyles of Bute?
(Dan McDonald / Ballast Trust)

James Coats Jr parted company with Gipsy in 1899 in the nicest possible way, giving her to his long time skipper, Robert Duncan, who lived nearby to the site of her birth at Gourock. She remained with the Duncan family until broken up c.1934.

On Coats’s death in 1912, Brunette was one of six yachts – all G.L. Watson designs – still under his ownership, ranging from the 3 ton, 24ft lwl cutter, Sprite, through Brunette to his famous 1883 racing cutter Marjorie (72 tons), her steam tender/tug Iris (68 tons), and the steam yacht Triton (337 tons, now Madiz) which was tender/tug to his magnificent 1899 schooner Gleniffer (496 tons). According to one obituary, none of this magnificent fleet had slipped its mooring for many years, but they were commissioned each spring with upwards of 70 crew always ready.

peggy-bawn-pressThe French boats, Fiona and Seabird, joined the locally-based Oblio for the unofficial “World Championship” of the Hubert Stagnol built Seabird Class during last year’s Fife Regatta on the Firth of Clyde. After a keenly contested Auld Alliance ding-dong sailed in the usual mix of Scottish weather, it was Didier Cotton’s Fiona that came out on top by just one point from Gordon Turner’s Oblio. But it might have been a different story: the local crew was so mustard keen to uphold Scotland’s honour that they were over the line early at the start of two out of the five races sailed. A great example of how hard they tried to make amends was caught by photographer, Marc Turner, as they prepared to gybe – the only Class III boat to attempt it – off Garroch Head, Isle of Bute, during the rather breezy race from Portavadie to Largs.

Oblio Gybe Garroch H Fife R 13L

Various suggestions were proposed for the activities of the person attached to the sea boot.
(Marc Turner / Fife Regatta)

Martin Black’s biography G.L. Watson – The Art and Science of Yacht Design can be purchased online here, or at the worldwide stockists listed here.

* The company Watson started in 1873 continued after his death under the direction of J.R. Barnett and his successors, and exists today as G.L. Watson & Co. Ltd., based in Liverpool, complete with the 140+ years archive of drawings, data and images.

~ Iain McAllister ~

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A sporting combination

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SY Vanduara (Iain McAllister coll.)

Steam Yacht Vanduara, with the ½-Rater Nita supported in her starboard quarter davits.
(Iain McAllister coll.)

Summer 1893. Paisley ‘thread baron’ Stewart Clark’s rakish c.200ft G.L. Watson designed steam yacht, Vanduara, poses with engines stopped. Clearly seen hanging in her starboard quarter davits is no ordinary ship’s boat.

She is Clark’s son, J. Stewart’s extreme fin-and-bulb keel half-rater Nita, built that spring to G.L. Watson’s design (no. 279) at Rosneath, Dunbartonshire – from lightweight cedar for the hull and manganese bronze for the keel fin – by another of Watson’s favourite builders of fine small boats, Peter MacLean.

Given that Vanduara‘s function in life is pure pleasure, Nita adds an extra string to her bow in sporting possibilities; a diversion from one of the main functions of a Clyde-based steam yacht, apart from showing off of course – easy access to the lochside hunting estates.

Nita  (Iain McAllister coll.)

Nita aboard Vanduara.
(Iain McAllister coll.)

It’s just possible to discern Nita’s lead bulb here, slung low from its bronze plate. A challenging build for MacLean, just as it would have been for her designer – to engineer a strong enough but still lightweight hull shell to cope with all that lead hanging from a very narrow base.

Fascinating, ground-breaking times to be a yacht designer – and a yacht builder.

Note that launching is by well padded slings to Vanduara’s mainmast’s boom, with the davits merely keeping Nita securely attached to her mothership.

Peter MacLean’s boatyard lay just inside Limekilns Point, at the western side of Rhu Narrows, the tide-swept entrance to the Gareloch, which is best known nowadays for its nuclear submarine base at Faslane. MacLean made his living from a combination of boatbuilding and as sometime landlord of the nearby Rosneath Ferry Inn.

Aerofilms ()

1931 view over the Edwin Lutyens designed Ferry Inn, towards the J.A. Silver boatyard.
(Aerofilms/ Britain from Above)

Remarkably for the Clyde, the site of MacLean’s yard is still very much involved with the yachting industry, but no longer in the building of new yachts. After MacLean’s time, it was taken over by an employee, James A. Silver, who still lends his name to the present, much more recent and unconnected business – despite him being active there for only a few years before the first world war. In the early years of that war, the shrewd employment of yacht designer John Bain as yard manager saw Silvers become highly successful pioneers, then leaders in the modern marketing of series-produced, yet high quality wooden motor yachts from the 1920s into the 1960s.

It’s that marketing skill which brings us back to Vanduara and her sporting combination.

A sporting comination: James A. Silver sdvert. 1935 (fff)

“This Sporting Combination”, James A. Silver Ltd advert, 1935.
(Iain McAllister coll.)

peggy-bawn-pressboat on boat2aWe should mention here our  Twitter acquaintances, Camilleri Marine, who reminded us recently of Vanduara, Nita and Silvers.

Remember, it’s all been done before. Even with aeroplanes.

The steam yacht Vanduara was G.L. Watson design no. 115, built by D. & W. Henderson & Co., at Meadowside Shipyard, Partick, Glasgow in 1886.

After active requisitioned anti-submarine duties during the first world war, she began a varied commercial career, including time as a Liverpool pilot vessel.

Peter MacLean was one of a select group of Firth of Clyde boatbuilders favourited by Glasgow-based yacht designer to the world, G.L. Watson (1851-1904), to build his small to medium-sized sailing and powered yacht designs, and ship’s boats for Watson’s magnificent large sailing and steam yacht designs more often than not built at neighbouring shipyards.

Read the whole beautifully illustrated story in Martin Black’s biography, G.L. Watson – The Art and Science of Yacht Design, which can be purchased online here, or from the growing list of worldwide stockists here.

~ Iain McAllister ~

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